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Photo credit : Vikk Shayen

Photo credit : Vikk Shayen

The prevailing spirit of Odd Hours is one of playful absurdity. It has a kind of giddy enthusiasm that is hard to resist.
— Andrew Fuhrmann - The Age
 
 
 
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Umiumare [has] created a unique expression of Butoh that’s become part of Melbourne’s cultural currency.
— Anne-Marie Peard - Arts Hub
 
The overall colourful effect is simultaneously striking and shocking.
— Patricia Di Risio - Stage Whispers
 
Yumi Umiumare and the ButohOUT! Ensemble elegenatly place, embrace, displace and reinstate their audience in and out of layered worlds from the box office till the bow.
— Hayden Burke - Australian Stage
 
Colour-Fool is a nightmare reflection on the strangeness of the times, but it is also, in its quieter moments, an earnest celebration of otherness and abnormality.
— Andrew Fuhrmann - The Age
 

Photo credit (all photos above): Vikk Shayen

 
 
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We are laughing, but always in a minor key
— Jana Perkovic - The Age ★★★★
 
Some of the characters in this work functioned as ciphers, beyond who they were as people. This opened up a realm of possibility for the viewer to experience and interpret the uncanny function of the work as a whole.
— Philippa Rothfield - Witness Performance
 
.. notions of “the impossible task” are explored in vignettes and installations throughout the space.
— Hayden Burke - Australian Stage
 
ButohOUT! feels like Samuel Beckett meets Beyoncé via Eraserhead
— Shane Murphy - Daily Review
 
This piece of erotic comedy captures a strong sense of Butoh itself, and at this moment, we find a laugh that is so instinctive, our egotistic exterior cracks.
— Dance Writer
 

Photo credit (all photos above): Vikk Shayen